Think Cyrano de Bergerac and one thing comes to mind: that famous nose. But, for Peter Dinklage, who takes on the role in the latest incarnation of Edmond Rostand’s 19th century play, there isn’t a ...
There’s something quite striking missing in Peter Dinklage’s performance of Cyrano de Bergerac. In the upcoming musical film, Cyrano is missing his iconic large nose. Cyrano’s nose has been integral ...
Add Yahoo as a preferred source to see more of our stories on Google. Cyrano de Bergerac is one of the most prominent romantic figures in literary history — but even he’d admit his nose was even ...
Most stage and movie productions of French playwright Edmond Rostand’s 1897 “Cyrano de Bergerac” have featured Cyrano — the man who pens the letters that make the beautiful Roxanne fall for someone ...
Cyrano de Bergerac is the story of a man with a beautiful soul and a big nose. It’s a tale as old as time: A nice guy can’t get the girl because his nose is too big—or rather he’s self-conscious about ...
Traditionally, as in the original play, Cyrano is insecure because he has a comically oversized nose. However, Dinklage wasn’t interested in wearing a prosthetic nose to star in the new movie. In fact ...
Peter Dinklage was never very interested in playing the lead role in “Cyrano de Bergerac” — until a new musical adaptation of the story got rid of the fake nose that has come to define the character ...
If we had to write the recipe for a perfect period piece, we'd call for three main ingredients: powdered wigs, pounds of blush, and director Joe Wright (he's the brain behind that hand scene in "Pride ...
Let’s not consider this a full-fledged review of the Cyrano de Bergerac re-mounting on Broadway, just my rather nasal musings about it. The star of this production, directed by Jamie Lloyd from a ...
NEW YORK -- It can happen during a sermon, a political speech or even a performance: You walk in a skeptic. You come out a believer. The catalyst of the unexpected epiphany in this case is a ...
The Emmy-winning “Game of Thrones” star shows off his abundant charisma in a lachrymose musical adaptation of Rostand’s classic. By Ben Brantley Deep, imperious and thundering with an angry irony, the ...