The celebration of Russian composers continues as CSO Music Director Rossen Milanov and the musicians of the Columbus Symphony present a program that juxtaposes Tchaikovsky's passionate, romantic ...

Are you ready for some Rach and Prok? How about Beethoven or Van Cliburn’s signature piece Tchaikovsky’s Piano Concerto No. 1? Judy Wiley and Andrea Ahles talk with the Fort Worth Symphony Orchestra’s ...

When Russian shooter Vitalina Batsarashkina stood on the podium to celebrate her gold medal in shooting at the Tokyo Games, somewhere composer Pyotr Tchaikovsky was smiling. True, the famed Russian ...

"First he asked me to play Schnittke or Shostakovich," Brakhman wrote in an e-mail from Brazil. "But later I thought, why could I not play both? After the concerti were confirmed, I decided to make ...

A blazing and breathtaking Piano Concerto No. 1 by Peter Tchaikovsky with a Russian at the keyboard blew open the San Antonio Symphony’s classical series concert Friday night. Of course, the pianist ...

The first time Natasha Paremski performed the Piano Concerto No. 2 by Russian composer Dmitri Shostakovich, it was under the direction of the composer's son, pianist and conductor Maxim Shostakovich. ...

The nation of Russia is officially banned from the Summer and Winter Olympics, and Paralympics. So, Russian athletes are hearing Tchaikovsky’s piano concerto when they win. Have you been catching a ...

Daniil Trifonov (main picture) opened the proceedings with an austere but committed reading of the First Concerto. Trifonov has a distinctive sound, precise, clean and focused. He is expressive, but ...

Twenty-two years ago, Olga Kern walked onto the Bass Performance Hall stage in Fort Worth, Texas and sat before a grand piano. Surrounded by violists with raised bows, she began Sergei Rachmaninoff’s ...

There have been changes at the Hollywood Bowl since Esa-Pekka Salonen’s last appearance at the amphitheater six years ago as the Los Angeles Philharmonic music director. That meant Thursday night the ...

Vanessa Latarche, professor of Piano at the Royal College of Music and chair of Hastings’ jury, talks about what makes the ...