But in his series All Night Menu, the writer and publisher Sam Sweet offers yet a third, new form of LA history: that of the ...
Between 1973 and 1978, Lynn Hershman Leeson hired photographers to document the life of her alter ego, Roberta Breitmore.
Yoshio Taniguchi’s 2004 expansion of the Museum of Modern Art integrated the glass buildings on either side of the museum so that when you are sitting towards 54th street, in the Cullman offices, in ...
The day I went to see Roksana Pirouzmand’s everything was once something else, in Los Angeles, I woke to vibration—a push notification from The Guardian, telling me that a US-Israel airstrike on ...
Dr. Maia Nuku, of English and Māori (Ngai Tai) descent, is Curator for the Arts of Oceania at The Metropolitan Museum of Art in New York. Her doctoral research focused on 18th century collections of ...
Nora N. Khan is an independent critic, essayist, curator, editor, and educator. Her writing on philosophy of AI, with a focus on incomputable knowledge and the relationship of language to computation, ...
Momus Residencies are online and in-person opportunities to connect and deepen art criticism and writing practices. Faculty include leading practitioners in the field, and participants range from ...
This episode features Camille Bacon, a Chicago-based writer, editor, and the co-founder of Jupiter Magazine. In a far-ranging conversation with Sky Goodden, Bacon discusses the potential and power of ...
In El abrazo, Delcy Morelos’s site-specific solo exhibition at Dia Chelsea in New York, two earthworks swell against the perimeters of two discrete, darkened rooms, threatening to usurp their ...
In this episode of Momus: The Podcast, Lauren Wetmore speaks with Line Ajan, a Franco-Syrian curator and translator and member of the editorial, artistic, and curatorial collective Qalqalah. The ...
Our website, https://momus.ca (hereinafter: “the website”) uses cookies and other related technologies (for convenience all technologies are referred to as “cookies”). Cookies are also placed by third ...
I often enter retrospectives with a certain girding of the loins, particularly if I’m writing about them. How to take it all in, to wade through oppressive linearity without getting bogged down? To ...